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X fyeahwomenartists:

Uta BarthGround #77 Chromogenic print mounted on panel 1997

fyeahwomenartists:

Uta Barth
Ground #77
Chromogenic print mounted on panel
1997

X

(Source: benjaminrasmussen)

X Untitled (Silueta Series), 1976, Ana Mendieta.

Untitled (Silueta Series), 1976, Ana Mendieta.

X It’s Because You’re Dying by Patrick Painter, excerpt from A Hedonist’s Guide to Art.

I would ask him, “Should I be calling you about this business shit? I feel bad about making these calls.”
He would assure me, “Man, are you kidding me? It’s the only thing keeping me going.”
One time he asked me, “Why are these things starting to sell?”
I responded, “Do you really want to know, bro?”
And he said, “Yeah, I really do.”
I told him, “It’s because people say you’re dying.”

I heard him start to laugh in that schoolyard boy way that I came to love so much. It was this jovial spirit that would get me to call him whenever I felt overly businessed out, and felt like I needed to get real again. Once his laughter died down a bit, he said, “Well, in that case, maybe we should make some Happy Face Urns.”

It’s Because You’re Dying by Patrick Painter, excerpt from A Hedonist’s Guide to Art.

I would ask him, “Should I be calling you about this business shit? I feel bad about making these calls.”

He would assure me, “Man, are you kidding me? It’s the only thing keeping me going.”

One time he asked me, “Why are these things starting to sell?”

I responded, “Do you really want to know, bro?”

And he said, “Yeah, I really do.”

I told him, “It’s because people say you’re dying.”

I heard him start to laugh in that schoolyard boy way that I came to love so much. It was this jovial spirit that would get me to call him whenever I felt overly businessed out, and felt like I needed to get real again. Once his laughter died down a bit, he said, “Well, in that case, maybe we should make some Happy Face Urns.”

X 7while23:

Kasper Sonne, Borderline (New Territory) No 56. 2014. Industrial Paint, fire, water and fixative on canvas, aluminum frame. 200 x 300 x 5 cm.

7while23:

Kasper Sonne, Borderline (New Territory) No 56. 2014. Industrial Paint, fire, water and fixative on canvas, aluminum frame. 200 x 300 x 5 cm.